Brooklyn Rider

Ariadne Greif, soprano
Saturday, March 1, 2025, 7:30 PM

Brooklyn Rider
Ariadne Greif, soprano
March 1, 2025 / 7:30 p.m.
Sixth & I

“[Their] down-to-earth demeanor…demystifies contemporary classical music and invites everyone into the tent” – Time Out New York

Inspired by the energy of the eponymous borough, string quartet Brooklyn Rider expand the classical canon with unparalleled skill, creativity, and unexpected collaborations. With set-lists drawn of composers from Beethoven to Björk, every performance is a musically omnivorous adventure that coaxes new energy out of classical pieces and pushes the string quartet form into new territories of Americana, jazz, and global music. The foursome’s swaggering and accessible performance style are perennial favorites at NPR, which has frequently included their albums in the station’s yearly “Best Albums” lists. Hear Giovanni Sollima’s Four Quartets, plus works by Clarice Assad, Tyshawn Sorey, and Gabriel Kahane from the Brooklyn Rider Almanac, Book II, and more. Operatic soprano Ariadne Greif adds her “luminous, expressive voice” (New York Times) to this concert event at Sixth & I.

Program Details

From Brooklyn Rider Almanac, Book II

Clarice Assad – Cinematheque
Tyshawn Sorey – Untitled
Gabriel Kahane – American Studies

Arnold Schoenberg – String Quartet No. 2 in F-sharp Minor, op. 10
Giovanni Sollima – Four Quartets
Colin Jacobsen – Suite from Chalk and Soot

Our Partners

This performance is made possible through the generous support of the following sponsors: Galena-Yorktown Foundation; Gordon and Lisa Rush.

Washington Performing Arts’s classical music performances this season are made possible in part through the generous support of Betsy and Robert Feinberg, and the Dallas Morse Coors Foundation for the Performing Arts.

Special thanks to the following lead supporters of Washington Performing Arts’s mission-driven work: Jacqueline Badger Mars and Mars, Incorporated; D.C. Commission on the Arts and Humanities; the National Capital Arts and Cultural Affairs Program and the U.S. Commission of Fine Arts; and The Morris and Gwendolyn Cafritz Foundation.

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