Sphinx Virtuosi
Sphinx Virtuosi
Josh Jones, percussion
Saturday, October 19, 2024 / 2:00 p.m.
Kennedy Center Terrace Theater
The vibrant, self-conducted string orchestra Sphinx Virtuosi returns. Comprised of 18 accomplished Black and Latinx artists, Sphinx Virtuosi seeks to evolve and transform the face of classical music through artistic excellence, pioneering programming, and impassioned community engagement. Heralded for its kaleidoscopically varied repertoire, the group brings another bold thematic program, featuring percussionist Josh Jones. Sphinx Virtuosi is the flagship performing entity of the Sphinx Organization, dedicated to transforming lives through the power of diversity in the arts and centered in the artistry of composers and artistic visionaries of color.
This performance is a co-presentation with the John F. Kennedy Center for the Performing Arts, in cooperation with the Coalition for African Americans in the Performing Arts.
Program Details
Levi Taylor – Daydreaming (A Fantasy on Scott Joplin)
Scott Joplin, arr. Jannina Norpoth, Jessie Montgomery – Overture from Treemonisha
Samuel Coleridge-Taylor – Four Novelletten, op. 52
Teresa Carreño – Tempo di Marcia from Serenade for Strings
Juantio Becenti – Hané for String Quartet
Derrick Skye – American Mirror, Part One
Curtis Stewart – Drill
About the Artists
The Sphinx Virtuosi is a dynamic and inspiring professional self-conducted chamber orchestra and serves as the flagship performing entity of the Sphinx Organization – the leading non-profit dedicated to transforming lives through the power of the arts. Comprised of 18 Black and Latino artists who reflect the highest level of musicianship in America, a critical aim of the Sphinx Virtuosi is to evolve the breadth and impact of classical music through artistic excellence, pioneering programming, and impassioned community engagement. Its members serve as cultural ambassadors for audiences and communities around the United States and abroad.
Since 2004, the Sphinx Virtuosi’s concerts have been presented by the leading arts organizations, including annual return visits to Carnegie Hall as an established highlight of the fall season. Frequently selling out venues, the ensemble has garnered effusive accolades including from The New York Times that has described the group as “…top-notch…more essential at this moment than ever…a vibrant, assured performance…”; and The Washington Post that wrote “true to their name, the Sphinx Virtuosi call up the vision of an iconic mythological feline with its immeasurable power, unwavering command, and soulful beauty.” Their critically acclaimed debut album, Songs for Our Times, was released on Deutsche Grammophon in July 2023 and represents the rich history of the Sphinx Organization and the vibrant future of classical music by centering the artistry of extraordinary composers and artistic visionaries. Heralded for its kaleidoscopically varied repertoire and bold thematic programming, Sphinx Virtuosi concerts give prominence to historically excluded composers such as Samuel Coleridge-Taylor, Alberto Ginastera, Coleridge-Taylor Perkinson, Florence Price, Heitor Villa-Lobos, and George Walker.
Members of the Sphinx Virtuosi have performed as soloists with major American orchestras, including the New York Philharmonic and the Cleveland, Detroit, Atlanta, Philadelphia, Seattle, and Pittsburgh Symphony orchestras. Members also hold professional orchestral and academic positions. The Sphinx Virtuosi’s community engagement initiatives regularly extend beyond masterclasses and workshops to members leading community empowerment initiatives within arts organizations and connecting with other Sphinx programming to further the mission of achieving excellence through inclusive programming. As a bilingual ensemble, these artist-citizens frequently break down existing barriers empowering the artform to connect with the broader community. During the pandemic, the ensemble found creative ways to connect with audiences and communities virtually through performances, panel discussions, masterclasses, Q&A sessions, and more reaching over 30,000 people across 20 organizations.
The Sphinx Virtuosi has collaborated with major artists such as Terence Blanchard, Denyce Graves, Sweet Honey in the Rock, Damien Sneed, Will Liverman, J’Nai Bridges, Abel Selaocoe, and Davóne Tines, among others. Outside of the classical realm, its musicians have also worked with leading international artists such as Beyoncé and Jay-Z, and made high profile appearances including on The Tonight Show Starring Jimmy Fallon and the broadcast of the 2022 Grammy Awards. Their 2024/25 season includes performances presented by the Charlotte Symphony, Philadelphia Chamber Music Society, Isabella Stewart Gardner Museum, and Carnegie Hall, among others.
A native of Chicago, Illinois, Josh Jones started hitting things at age 2 and received his first drum set at age 3. Josh began his formal studies in percussion with the Percussion Scholarship Program under the direction of Chicago Symphony member Patricia Dash, and Chicago Lyric Opera member Douglas Waddell. He earned his Bachelor’s in music from DePaul School of music and was the orchestra fellow of both the Detroit and Pittsburgh symphonies. In 2022, Josh joined the Grant Park Festival Orchestra as Principal Percussionist. Josh has been featured at Carnegie Hall, on radio and television, and has had two short documentaries made about his musical development and experience. He also authored a percussion method book series, “Spatial Studies for Hitting Things”, and writes musical and philosophical blogs on his website, drummojo.com. Josh really enjoys giving back to the community as well as mentoring young musicians and traveling.
Our Partners
This engagement of Sphinx Virtuosi is made possible in part through the ArtsCONNECT program of Mid Atlantic Arts with support from the National Endowment for the Arts, and Jenny Bilfield and Joel Phillip Friedman.
Washington Performing Arts’s classical music performances this season are made possible in part through the generous support of Betsy and Robert Feinberg and the Dallas Morse Coors Foundation for the Performing Arts.
Special thanks to the following lead supporters of Washington Performing Arts’s mission-driven work: Jacqueline Badger Mars and Mars, Incorporated; D.C. Commission on the Arts and Humanities; the National Capital Arts and Cultural Affairs Program and the U.S. Commission of Fine Arts; and The Morris and Gwendolyn Cafritz Foundation.
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